Don't Say No to the Incredible Medicine Show

More notes for AAE! Chapter 3 of Act I (or chapter 5 on ff.net)...

References:

-Dr. Camelback has some origins in a book called "Orphans of Chaos" by John C. Wright, though I have to admit that it's been so long now since I've read the book that I don't remember precisely how.
-Pattie, Violet, and Frieda are names from Charles Schulz's "Peanuts". They're all secondary characters who, I think, eventually got dropped. :P
-Nicola is slightly inspired by a character in "Fire and Hemlock" by Diana Wynne Jones (a girl named Nina).

I reference Beth as being "small for her age" in this section. She stays on the skinny side all her life, but I picture her as starting out tiny and then sprouting up like a weed in terms of height when she hits a certain age. Beth is not outrageously tall, but she's perhaps a bit taller than she should be, if that makes sense.

Poor Beth, getting taken advantage of from the first. The idea that a group of kids, the oldest of which is only 7, would be left alone to wander about for themselves was an effort to reinforce what Beth says before this flashback starts - that the people in charge forgot that high intelligence doesn't translate at all into maturity. A smart kid is still a kid.

Note the subtle statement in this scene that Beth does not wear glasses at age 7. I didn't have a good way to say that outright (it would've been weird to describe her as "not wearing glasses", after all) so it's a little bit subtle and perhaps easier to forget. I bet most readers imagine Wee Little Beth with glasses. (I almost do myself.)

Geez, Camelback is such a d***. ;D

I don't have a whole lot to say about the stuff at Pinny's; none of it is based on any real experience in my life so I can't talk about that, and it's fairly straightforward, I think. I hope it's not over the top; although I've never had these actual experiences, I've had strained relationships with adults (as I think many people have) and I've had trouble joining social circles (as I think many have, again) so I'm assuming these are somewhat familiar themes even if the events are themselves particular or perhaps a bit melodramatic.

Beth's mass-shunning in the cafeteria is a little reminiscent of a scene in Amanda Rohrssen's "The Other McCawber Girl", which was not intentional, though I will admit for full disclosure that I am pretty sure I had read that scene by the time I wrote this fic. I wasn't thinking of that, thogh, but rather of the general experience of being an outcast and being ignored. Beth's experience here, it should be noted, is not based at all on who she is but just on her being a stranger; it's not a personal reaction, it's just a mass ignoring. This almost uniformly typifies her experiences throughout this story: she's infrequently directly targeted, and much more often just overlooked, which I think is a common theme in growing up. Everyone gets targeted at some point, but being totally ignored - although less dramatic - can be painful too.

I wondered what to name Beth's three roommates for a while and then decided on the names from "Peanuts". Once I'd do that the personalities kind of dropped into place, especially Frieda's who clearly had to have naturally curly hair and also be a big of a braggart.

Beth ruminates on what she'd done to be sent away - we don't learn until later why she's so certain that this is what has happened - and she reflects that she could promise to change and be whatever her mother wanted if she could come back. This is also a recurring theme for Beth; she keeps, in her head, promising to change herself to be what other people want. I think it's noteworthy that she never ever does this.

Beth's staying at Pinny's over Thanksgiving is not a "Harry Potter" reference in case anyone was wondering, though on rereading it kind of looks that way. *shrug*

The "sad story about 2 older kids who fell in love but then died" is 'Romeo and Juliet'. I thought that this might be about what a 7-year-old would get out of it: the very bare bones of the story, with the rest being written in such apocryphal language and about such complicated things that it would basically go over her head.

As mentioned above, Nicola has roots in a girl named Nina from a Diana Wynne Jones novel. There's nothing specific that she does that mirrors this character, but Nina has a certain exuberance and a liking for imaginativeness, as well as a falling out with the main character, that were in my mind when I was thinking of characteristics for Beth's first "friend". The name, Nicola, has no significance.